Ludivine Allegue

Così è – Art|Banchel 3

| Ludivine Allegue

 

Hélène Picardi, Nieves Sebastián, Mercedes Enguita, Alexandra Moldovan, Cristina Mateo, Virginia Alonso, Florencia De Ditta, Paloma Villoria, Leticia Queipo: ¡mil gracias a vosotras por vuestra confianza y sinceridad!

Gracias a Hélène y Paloma por vuestra complicidad 😉

A mi maestra Hélène Picardi que ha volado para formar parte de este trabajo: gracias por todo lo que me enseñaste y todo lo que me sigues enseñando.

A la Catorce Quince por vuestro valioso apoyo.

Gracias a Art|Banchel por este gran fin de semana y el enorme trabajo: ¡larga vida a Art|Banchel!

Y por supuesto, gracias a Nieves Sebastian por su magnífico bordado y a Simona Polvani por sus hermosos versos.

¡Così è… se vi pare!

 

In Residence at la Neomudéjar Museum – Madrid (ES)

| Ludivine Allegue

neomudejar150

When?

November 2015 – April 2016 (both inclusive)

Where?

Museo – Centro de Artes de Vanguardia – Residencia artística Internacional –LA NEOMUDÉJAR– calle Antonio Nebrija s/n 28007 MADRID – SPAIN

What for?

Le Maschere Nude – On family, individual and collective memory, stories and history. “[…] from one painted [portrait] to another, it is a plural collective memory that newly finds physical expression. A senso comune where the flesh of one joins the flesh of the world.”*

Disorient – What happens when we lose our perimeters, our orientating devices, our socio-cultural or emotional pillars? (in collaboration with performer-artist Valentina Lacmanovic)

 

 

 

 

 

*L. ALLEGUE. (2012) « senso comune », in L’intime, le privé, le public dans l’art contemporain. E. Chiron, A. Lelièvre (Dir.). Paris. Publications de la Sorbonne, p.p. 165-173. ISBN 978-2-85944-700-7

Letras y Notas: Spanish radio broadcast by Eva Santamaría

| Ludivine Allegue

Some time ago, I had the pleasure to be invited by Eva Santamaría to participate in Letras y Notas, her radio broadcast on Arts and Culture: http://letrasynotas.com/?page_id=251 

Letras y Notas is a great experience as Eva offers the artists un great opportunity to share the intimate aspects of their work. She recently launched a new website, which I am happy to share today.

 

Participar en Letras y Notas ha sido vivir una hora y media durante la cual Eva Santamaría me ha devuelto el tiempo. Sin prisas, paso a paso, hemos recorrido mis pinturas. No sé de ningún otro programa que le de tanto tiempo y espacio a un artista para abrir y dar a conocer su mundo, o que le permita explicar tan detenidamente en qué consiste su experiencia creativa.

Hubo un lugar: Personal involvement, creative process and scientific value

| Ludivine Allegue

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Hubo un lugar [there was a place] is an art project and an art research on the potential of the investigation of individual cases to progressively build a collective and composite memory. It starts from a site specific work in Spain, which in turn starts from the testimony of a former Spanish republican refugee.

 

I will focus on the question of the reconciliation between the objective and subjective approaches within an art and research project that embraces testimony, historical research, creative process and personal involvement, and I will envisage potential methods for the purposes of such reconciliation.

 

20 June 2014, Amphithéâtre I, Place du Panthéon, Paris.

Colloque international « Le processus créatif dans les arts performatifs, visuels, sonores et littéraires »

19 & 20 juin 2014 à l’université Paris 1 Panthéon-Sorbonne

L’intime, le privé, le public dans l’art contemporain

| Ludivine Allegue

Parution de mon article “senso comune“, dans L’intime, le privé, le public dans l’art contemporain. E. Chiron, A. Lelièvre (Dir.). Paris. Publications de la Sorbonne, p.p. 165-173. ISBN 978-2-85944-700-7.

Les auteurs ainsi que les directrices de l’ouvrage, Eliane Chiron et Anaïs Lelièvre, ont présenté le contenu du livre lors de la journée d’étude organisée au centre Panthéon, à Paris, à l’occasion de sa parution.

 

video art “october.” at the Gospel Hall Gallery | the Soup Lab until 1 June

| Ludivine Allegue

october. was shot at Tiananmen, Beijing (China) in 2007 and Granada (Spain) in 2009 with mobile phones. The sound was recorded the same way at Granada. It is a first approach within a wider project on historical memory reconstruction.

Video can be watched here: http://vimeo.com/34926603

Stills here: http://senso-comune.com/2012/02/12/video-art-october-online/

DIMENSIONS AND MATERIALS USED

october. Digital video. Colour. 3:27 minutes

Material used: Sony Ericsson K610i (images, Beijing), Nokia 2630 (images and sound, Granada)

The video is exhibited at the Gospel Hall Gallery by means of a 9.3″ digiframe.

“No, this isn’t me”: on hidden memories

| Ludivine Allegue

 

Hubo un lugar [reconstructed] 2012

« 3.

No, this isn’t me, someone else suffers,

I couldn’t stand it. All that’s happened

They should wrap up in black covers,

The streetlights should be taken away…

Night. »

1939. Requiem, Anna Akhmatova.[1]

Reconstructing Historical Memory[S]: click HERE to access the project’s page

Hubo un lugar, 40 x 80 cm & reconstructed X-ray (2012)

[1] A. Akhmatova, Requiem. English translation by Lyn Coffin. New York/ London, W.W. Norton & Company, 1983, p. 84.

New article on “intimacies”: addressing its creative process

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Caroline Gill | intimacies | © Bonenfant/Allegue

The intimacies video art was realized in 2008, within Bonenfant’s “extending vocal bodies into audiovisual media” project.

This text articulates the creative process of the intimacies video art, from the visual artist’s point of view.

To read it, click HERE.

intimacies | Video co-directors: Yvon Bonenfant/ Ludivine Allegue. Artistic director: Yvon Bonenfant/Video artist: Ludivine Allegue/Vocal art (music composition and all singing): Yvon Bonenfant, compositional assistant Francis Silkstone/Photography and image capture: Ludivine Allegue/Video editing: Ludivine Allegue/Choreographic process, devising process directed by Yvon Bonenfant/Performers, choreographic & sonic collaborators, inspirers: Robin Dingemans, Delphine Gaborit, Caroline Gill/Produced by Yvon Bonenfant & Ludivine Allegue. Financial support by the British Academy, the University of Winchester. Date of production 2008; format PAL 4:3.