Works

Artist Statement

When I was attending the painting class at my city’s Art School, I found out I was not only painting but building paintings. Wood, charcoal, pigment…

And canvas: A background. A thread. A dress. A skin.

Beyond background, the canvas established itself as a binder of all stories. Unweaving its threads just reveals the hidden drawing, like a story that always had been there, but was biding its time.

I have been refining this approach throughout the years in order to focus on the story the canvas is telling me: I eliminated painted surfaces to give prominence to drawing and blankness, seeking equilibrium and simplicity, striving to tell more with less.

The immediacy of the unweaving process –like writing, serves a form of resistance : the power of my unconnected hand as the only tool to tell stories.

 

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